b. 1979 in Melbourne. Lives and works in London

Bradley continues a longstanding investigation of the 21st century painting. High contrast renders are achieved through a process of heating dyes onto the textured surface of suede, adding a layer of spray paint cast over the digital source. Rich hues often unobtainable by anything but the chromatic intensity of a screen, or of paint itself, sit alongside both of these in a process Bradley has slowly developed over many years of investigation.

Ry David Bradley, ‘Watch Me’, 2016, (15,2,2016 21,54,19), Dye Transfer on Synthetic Suede, 120cm x 80cm
Ry David Bradley, ‘Watch Me’, 2016, (30,1,2016 19,33,32), Dye Transfer on Synthetic Suede, 120cm x 80cm
Ry David Bradley, ‘Watch Me’, 2016, (15,3,2016 21,13,43), Dye Transfer on Synthetic Suede, 120cm x 80cm
Ry David Bradley, ‘Watch Me’, 2016, (12,2,2016 16,44,12), Dye Transfer on Synthetic Suede, 120cm x 80cm
Ry David Bradley, ‘Lands’, 2016, (23,2,2016 3,19,02), Dye Transfer on Synthetic Suede, 200cm x 120cm
Ry David Bradley, Unvalley Valley, 2016 Digital print on vinyl sticker
Ry David Bradley, Unvalley Valley, 2016 Digital print on vinyl sticker
Ry David Bradley, Unvalley Valley, 2016, Installation View, Photographed by Tom Carter
Ry David Bradley, Unvalley Valley, 2016, Installation View, Photographed by Tom Carter
Ry David Bradley, Unvalley Valley, 2016 Evelyn Yard, Installation View, Photographed by Tom Carter
Ry David Bradley, (Not To Be Digitalized) NTBD #3, 2015, Dye-transfer and spray paint on synthetic suede, dye-transfer on synthetic silk, 182 x 122 cm
Ry David Bradley, WDYWTGT #19, 2015, spray paint and dye transfer on synthetic suede, 182.9 x 111.7cm
Ry David Bradley, Installation View from solo exhibition at Bill Brady, 2015 Kansas City
Ry David Bradley, Installation View from solo exhibition at Brand New Gallery 2015 Milan